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Main Culture LINOLEUM 2022 announces the competition programme

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LINOLEUM 2022 announces the competition programme

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LINOLEUM 2022 announces the competition programme

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Due to the war in Ukraine, the festival will be held online from September 7 to 11. This year’s festival theme is “Sensitive content”. It is under this label that social networks hide most evidence of Russian crimes against the civilian population of Ukraine.

The systemic Russian aggression against Ukraine culminated with the invasion on February 24. It would seem that now it’s time for Ukrainian voices to be finally heard. Still, the boycott of Russian culture and the atrocities that the Russian army is committing in Ukraine became “Sensitive content” for a large part of Western society.

The answer to this “culture beyond politics” approach is given in the LINOLEUM 2022 festival trailer. Its directors and animators are famous street art artists Sestry Feldman. KBT worked on the sound, and the Mate Agency developed the concept. All phrases used by its characters are real quotes. They belong to very different Russians: famous intellectuals, bloggers with millions of followers, cultural figures, athletes and “ordinary” commentators from social media.

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The audience of LINOLEUM 2022 will see an International Competition consisting of 5 blocks of original animation sections:

  • “Reapers”: the pages of a history book - factual and fictional - come to life under your skin and echo in your heart;
  • “High Society” is about roles change, re-inventing oneself, and a duel with society against the background of an approaching apocalypse. The authors ask themselves whether it is possible to stay human when the world order turns upside down.
  • “The War is Mine” teaches how to bring the stories’ fragments together. How to demine the senses. How to release occupied dictionaries. How to fight using sensitive content.
  •  â€œFreak Flag” demonstrates how distorted time spaces and altered tempo rhythms create a surrealistic web between former lovers, current friends, future enemies and eternal hermits.
  • “Love won’t tear us apart” is an attempt not to be surprised that one confused little goat can change reality, a car tire is able to transform a boy’s life, and a photo frame can transform a warm August evening.

France, Germany, Austria, Portugal, USA, Turkey, Israel, Iran, and many others. A total of 36 films from 18 countries will tell stories that seem distant and yet are very relatable for each of us.

Also, within the festival’s framework, a Commissioned films competition will be held. A whole block is dedicated to the projects by Ukrainian animators and directors, who are capturing the domestic market and confidently making their way to the international level.

Unfortunately, the Ukrainian competition will not take place this year due to the war in Ukraine and related circumstances. But the audience will have a possibility to see the â€œUkrainian Voices” special screening featuring both the works of experienced Ukrainian animators and new faces of domestic animation side by side.

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As usual, festival visitors can expect a vibrant Non-competition programme:

  • already traditional for the festival block “Ladies first” created by women about women;
  • experimental animation and video art;
  • four blocks of national animation from real friends of Ukraine - Polish, British, Latvian and Estonian animation;
  • four blocks of kids animation for each age category from 2 to 16 years old;
  • animation created by children from all over the world, including Ukrainian kids;
  • this year’s special project – I’M FINE!

I’M FINE! is a reflection on emotional burnout from the best creators of original animation. The project consists of two programmes of short animation screenings:

  • the eponymous I’M FINE! – a selection of the most relevant artistic creations about emotional burnout and creative crisis;
  • Sensitive Content, which uses the example of foreign films to depict all the horrors of war and traumas it leaves behind.

In addition, the project will offer a series of online lectures about emotional burnout and ways to avoid it. The project is supported by the British Council under the UK/Ukraine Season of Culture.

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In addition to online lectures on burnout, an extensive educational programme is traditionally planned in the festival’s framework. All lectures and master classes will be accessible in the Projector Video Library, this year’s educational partner of LINOLEUM. The lectures will be available for free upon registration from anywhere in the world from September 7 to 11.

Screenings of competition and non-competition programmes will be held online on the MEGOGO VOD platform, an old friend and partner of the festival. Animated shorts will be available for watching from September 7 to 11 for free and without registration at any time of the day. Some films will also be accessible in the territories of Poland, Estonia, Slovakia, Latvia, the Czech Republic, Lithuania and Romania. The rest will be available exclusively in Ukraine.


The Odessa Journal
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