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Poetry in the Cities of Literature. Melbourne. Maxine Beneba Clarke

Poetry in the Cities of Literature. Melbourne. Maxine Beneba Clarke
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The Odesa – UNESCO City of Literature Office continues to build bridges between UNESCO Cities of Literature and Odessa, fostering dialogue, exchange, and shared literary experience across cultures.

In 2008, Melbourne joined the UNESCO Creative Cities Network when it was designated the second City of Literature in the world. Melbourne’s designation as a UNESCO City of Literature is acknowledgment of the breadth, depth and vibrancy of the city’s literary culture. Melbourne supports a diverse range of writers, a prosperous publishing industry, a successful culture of independent bookselling, a wide variety of literary organisations and a healthy culture of reading and engagement in events and festivals.

"Australia continues to stand in solidarity with Ukraine, offering humanitarian aid, military assistance, and strong diplomatic support in the face of ongoing aggression. This collaboration is part of a broader commitment to uphold democratic values, cultural resilience, and freedom of expression under extraordinary pressure," said David Ryding, the founding Director of the Melbourne UNESCO City of Literature Office.

Please, meet Maxine Beneba Clarke.

Maxine Beneba Clarke is the author of over fifteen books for adults and children, including the short fiction collection Foreign Soil, the memoir The Hate Race, and the picture books When We Say Black Lives Matter, We Know a Place and The Patchwork Bike. Her poetry collections include Carrying the World, How Decent Folk Behave, It’s the Sound of the Thing: 100 new poems for young people, the recently released Beautiful Changelings, and Stuff I'm (Not) Sorry For: 99 more poems for young people. Maxine was the inaugural Peter Steele Poet in Residence at the University of Melbourne (2023-2025).

We invite you to listen to the poem performed by the author:

 

https://www.youtube.com/watch?v=iZOGWLjnWKM

 

the end of the affair

poetry and i / we broke up last week

we just kind of grew apart

it wasn’t him / it was me

well/ ok just quietly / between me and you

it was wild while it lasted

but poetry / he got all single white male

for the last part there on me

it’s true

he wanted to me my everything

i wasn’t sure i still loved him like that

and needed some time to think

but poetry / he said

i am not gonna buy that let’s have a break schtick

poetry knew i wanted out

and started following me / everywhere

i couldn’t work / or leak / or eat / or sleep

walk without him calling one me

you know poetry

at times / he can be so damn needy

after we split / i’d be out somewhere

and poetry would just happen to turn up

he'd pull that fancy meeting you here crap

as if he hadn’t been hiding outside the house

to see where i went / all that time

i never thought it would end like this

i could see poetry and i / old

in rocking chairs together

hands wrapped around steaming mugs

reminiscing about the good times

when we first met i was always thinking

now poetry / he is beautiful

you know what i mean

i mean it was like: poetry

could have anyone he wanted

and poetry chose me

(not that i have low self-esteem)

people were always saying

girl / you and poetry

were just meant to be together

you are so lucky to have found each other

and poetry would smile my way / as if to say

i will never leave you / maxine

we will be together always

you and me

and now

i am starting

to understand

just what that

might mean

 

The project was created by the Odesa UNESCO City of Literature and being implemented with funds raised by Reykjavík Bókmenntaborg UNESCO as part of the readings initiated by Milano City of Literature “Not Just Words” (Reading for Odessa) on February 24, 2024.

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